**Danger spoiler alert**
My muse (let’s for convenience sake call her Laura) pointed out an a cinema rule to me recently which can ruin many a suspenseful flick.
We had been to watch Tinker, Tailor, Soldier, Spy with a mesmeric performance from Gary Oldman (my vote for the 2012 Best Actor Oscar) and a stellar supporting cast.
The plot of Le Carre’s spy thriller is, in brief, little to do with spying and much more about how distrust erodes relationships (Mark Kermode’s analysis, not mine). The narrative though is the search by spy master George Smiley for a traitor within MI6.
The cast list for TTSS is a list of stars worthy of the night sky, yet as Laura pointed out, most are famous principally in Britain. Then there are Gary Oldman (who could not be the traitor) and Colin Firth who are established actors within the Hollywood elite. so she was far less surprised when the traitor was revealed… (apologies to Tom Hardy who I think is fast becoming Hollywood A list).
Our next outing was to watch The Third Man. The 1949 film written by Graham Greene’s novel (voted number one on the British Film Institute’s Top 100 British films of all time) is set in postwar Vienna, a city divided into thirds by the Americans, British and Russians. The plot is the drive by a small-time novelist to solve the apparent murder of his friend Harry Lime. The novelist, Holly Martins seeks to track down a mysterious third man witnessed at the scene of his friend’s death, but not mentioned in police reports. As the mystery unfolds at one point the audience sees a man light a cigarette in a shop doorway – could this be the third man? Well if it wasn’t Orson Wells, then one of the world’s greatest film stars, would have been wasted as an extra.
Without wishing to throw out more spoliers, there are many other films where the size of the star works in inverse correlation to the amount of suspense.
Yet in both the films cited knowing this rule did not ruin the film. Rather, it could be seen as a liberation for the audience. in the case of TTSS, both in the book and the film the point is not revealing the traitor, but in seeing the effect on the characters of the world in which they find themselves. Similarly, the Third Man is a masterpiece where the wrecked lives of its characters are mirrored in the ruins of the city in which they live.
So, in many films you will watch it was probably the star whodunnit; but whodunnit may not be the real mystery to be unlocked in the film.


