Archive for the ‘Film Reviews’ Category

It was the star whodunnit

February 19, 2012

**Danger spoiler alert**

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Orson Welles as Harry Lime

My muse (let’s for convenience sake call her Laura) pointed out an a cinema rule to me recently which can ruin many a suspenseful flick.

We had been to watch Tinker, Tailor, Soldier, Spy with a mesmeric performance from Gary Oldman (my vote for the 2012 Best Actor Oscar) and a stellar supporting cast.

The plot of Le Carre’s spy thriller is, in brief, little to do with spying and much more about how distrust erodes relationships (Mark Kermode’s analysis, not mine). The narrative though is the search by spy master George Smiley for a traitor within MI6.

The cast list for TTSS is a list of stars worthy of the night sky, yet as Laura pointed out, most are famous principally in Britain. Then there are  Gary Oldman (who could not be the traitor) and Colin Firth who are established actors within the Hollywood elite. so she was far less surprised when the traitor was revealed… (apologies to Tom Hardy who I think is fast becoming Hollywood A list).

Our next outing was to watch The Third Man. The 1949 film written by Graham Greene’s novel (voted number one on the British Film Institute’s Top 100 British films of all time) is set in postwar Vienna, a city divided into thirds by the Americans, British and Russians. The plot is the drive by a small-time novelist to solve the apparent murder of his friend Harry Lime. The novelist, Holly Martins seeks to track down a mysterious third man witnessed at the scene of his friend’s death, but not mentioned in police reports. As the mystery unfolds at one point the audience sees a man light a cigarette in a shop doorway – could this be the third man? Well if it wasn’t Orson Wells, then one of the world’s greatest film stars, would have been wasted as an extra.

Without wishing to throw out more spoliers, there are many other films where the size of the star works in inverse correlation to the amount of suspense.

Yet in both the films cited knowing this rule did not ruin the film. Rather, it could be seen as a liberation for the audience. in the case of TTSS, both in the book and the film the point is not revealing the traitor, but in seeing the effect on the characters of the world in which they find themselves. Similarly, the Third Man is a masterpiece where the wrecked lives of its characters are mirrored in the ruins of the city in which they live.

So, in many films you will watch it was probably the star whodunnit; but whodunnit may not be the real mystery to be unlocked in the film.

What’s your favourite movie trailer?

January 15, 2012

I’ve annoyed friends over the years by dragging them early to the cinema moaning the whole way about not wanting to miss the trailers. For me they are an art form in their own right – a delicious taster of films which could be good or bad, but which often look fabulous in two minute format.

So here’s a challenge for all five people reading this blog – what’s your favourite trailer of all time?

Here are some to vote on, but I’d love other submissions:

Eternal Sunshine of the Spotless Mind

- Mum still blames me for recommending this film, but I think the trailer at least is a masterpiece. But, sorry mum, you are wrong and the movie is a masterpiece too.

Watchmen 

- Another trailer marked out by an outstanding soundtrack. This time it is arguable that the film does not live up to the hype.

Sin City

- Keeping with graphic novels we have the film which was the predecessor of both Watchmen and 300, Sin City. Brilliant use of colour in both the trailer and film. Pulp Fiction for the noughties.

Trainspotting

- This is a teaser, not a trailer, but I remember watching it in the cinema and just longing to see the film. I still think it perfectly captures the spirit of Trainspotting despite telling us nothing about the plot.

Where the Wild Things Are

- You can imagine the scepticism - Spike Jonze directing a children’s film, was he selling out? In a word, no as this life affirming trailer shows.

The Breakfast Club

- The trailer perfectly tees up this brilliant study of adolescent angst. I watched the film again last year and it has really stood the test of time

Sister Smash! And the rules for a Sunday night movie.

July 31, 2011

Whip It! proved to be an excellent Sunday night movie, even if it did disprove my rule on chick flicks.

I’d been telling my girlfriend yesterday that there was a simple rule for the chick flick (for which I do not claim credit – I heard it on Mark Kermode and Simon Mayo’s radio show). It’s something like you count the number of male characters, you look at whether those men have a conversation together during the film and whether indeed they have any significant part – if all these counts are low, it’s pretty much a chick flick. Except this wasn’t.

Whip It! is the 2009 directorial debut film of Drew Barrymore. Starring Ellen Page it is about a small town beauty queen who, much to the disgust of her ex-cheerleader mother, discovers the sport of roller-derby and reinvents herself as Babe Ruthless a member of the league’s worst performing (but best supported, with most heart etc.) team, the Hurl Scouts.

The film is based on the book Whip It! by former roller-derby skater, Shauna Cross (AKA Maggie Mayhem). You can see why the book got picked up. Virtually unknown in Europe (although I was interested to see that there is a small London league) this is a brutal all-girl sport which is like track cycling, on skates, with added violence. All the skaters start together with the two at the rear gaining points for passing opponents and winning a race around one circuit. Except, if the film is to be believed, the opposing team can do pretty much anything to stop them getting around the track. It looks like a fabulous spectator sport.

Whip It! is a pretty standard coming of age film – finding passion, lying to parents, romantic interest, kooky friends – but the script was pretty good and there was enough interest in the sport of roller-derby to make it extremely watchable. There is also a great cast. Ellen Page was supported by Drew Barrymore, Juliette Lewis and rapper Eve. I’m a huge Ellen page fan, but here she might actually have been the slight weak spot – I found her believable as a roller-derby skater, but not as a potential beauty queen.

 

Above all this makes a good Sunday night movie because:

1. It doesn’t require much thought

2. It’s interesting without being likely to offend anyone

3. There is a good cast…

4….who are clearly having fun making the movie…

5. ….leading to a happy ending both for the characters and the audience.

So, in summary, I’ll see you at the next London roller-derby meet!

Life-affirming film-making

July 20, 2011

On 24 July 2010 80,000 people from 140 nations took part in a film experiment organised by You Tube. They uploaded film charting their life on that day. The result, over 400 hours of footage, was edited into a film called Life in a Day by Kevin Macdonald (Last King of Scotland) and produced by Tony and Ridley Scott.

This was an astonishing experiment in how well it worked and has been made into a truly life-affirming tribute to humanity. The film follows people from daybreak, as some people trudge to work, right to the last scenes as the clock strikes midnight.

There are so many wonderful stories told within the film. From the Korean man who left home nine years ago to cycle around the world in the hope that it will somehow unite his country, to the family coping with a wife and mother who has cancer. Yet in many ways the small stories steal the show – a man gets his son up in the morning, their routine incorporating lighting an incense candle for the boy’s dead mother; a shoe shine boy explains that Wikipedia is his window into art, maths, history and other knowledge; a couple marries in Vegas, the bride is walked up the aisle by an Elvis impersonator serenading her as the groom (also dressed like Elvis) awaits.

It is all unashamedly emotive stuff, yet the film never tries too hard to pull the heart strings – like all reality tv both humour and pathos naturally emerge from the scenes. It was a laugh out loud moment, for example, when we saw an American man encouraging his wife to feed some ducks, telling her that ducks don’t bite. Her reticence is funny; that the ducks are clearly seagulls though makes the scene hilarious.

In criticism, there is a lot more footage from America than anywhere else. Life in a Day directed in India, China, Russia or Brazil might have looked very different. The film also sanitised the human experience. The need to own a video camera meant that the plight of the poor is largely overlooked.

Nevertheless, it is an amazing piece of work which is well worth a cinematic release. I’d urge anyone to make an effort to see what is a fantastic example of our age of social collaboration.

See the trailer here.

The King’s New Clothes

February 21, 2011

I watched the King’s Speech tonight, the transformation of plain old Bertie Wooster, bullied and scared prince, into King George VI.

Its interest for me lay not just in the excellent performances from all the cast, the perfectly pared down direction and in finding out the Cadfael eventually became Archbishop of Canterbury. There is also a voyeuristic quality because gradually, through film and television, audiences are able to understand the motivations and personalities of the British Monarchy, perhaps the last great private institution (after all Spooks and Danme Stella Rimington’s ‘fiction’ came before The Queen).

Whilst entertaining, there is an interesting question about whether it is good for the public to have such access. Not so long ago people believed monarchs to be imbued with power by divine right. I’m not arguing for a second that was healthy. But nor perhaps is a tabloid culture where every facet of life is lain bare. I often ask friends who routinely drink champagne cocktails what they drink on special occasions (“pink champagne” by the way is neither a clever, nor witty answer). I do think some things are better either drunk in moderation, or retaining an element of mystery.

That said, this portrait of the King was very affectionate. It shows King George VI to be a man of great courage with a family who he loved and who loved him back. But it also shows the other royals as bullying (King George V) and fatuous (King Edward). We know of course they are only human and far from perfect (Prince Harry’s choices of fancy dress costume are a case in point), but I think also that the British monarchy is a great tradition and that we as a people still want great leaders with an air of perfection about them. I think the clamour to have William rather than his father be the next in line to the throne is an example of that.

I’m certainly not suggesting you avoid the film. Indeed, it is brilliant, go watch it. But each media representation chips away at not just the individual but the institution. Many will welcome that, others will not.


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